This week I have been researching different background tunes for a scene in my current work in progress, the sequel to An Unfamiliar Murder. I need to find an album that is generally well known, atmospheric and melancholic in places, with resounding lyrics; but also upbeat in others. A tall order…

It led me to consider how important music is in our fiction, and whether indeed we should we use it all? Some might argue that music dates a novel, which it inevitably does, but I think there are few novels out there that don’t date already themselves in some way. If you’d written a book in the early 90’s, you’d be unlikely to mention the internet, people didn’t have mobile phones clung to their ears, folk could still smoke cigarettes in restaurants…

Others would say that music is subjective and using particular songs may alienate some readers. Hmmm. I agree that you shouldn’t pick something too obscure – only seasoned ‘Musos’ are likely to research an unknown song in a novel and it can detract from the story. But to use something that is reasonably well known, that matches the mood you are trying to create, that resonates – can be a very effective tool. True, some people might not like the tune, but that doesn’t necessarily mean they will dislike your character. How many of your friends or partners have different musical tastes to you?

Music can also be a wonderful aid to atmosphere. The mention of a song, the tune in the background, even an individual lyric can either lift, lower, or freeze the mood of your scene.

My husband recently joked that I’ve lived with my characters for so long that they’ve become good friends. And he’s right (well, for most of them anyway). I want readers to relate to them in this way too, so that they jump out and grab you, and, when you finish the novel, you miss them dearly. I think music provides a great reference point, like a car or a place that everybody knows and relates to – that all important song that conjures up images and memories in your mind. Your mind, just like theirs.

I’ll go back to my research, but leave you with a list of music mentioned in An Unfamiliar Murder:

Snow Patrol – Eyes Open

Snow Patrol – Chasing Cars

Muse

The Intermezzo

I would love to hear your thoughts.

Jane Isaac’s first novel, An Unfamiliar Murder, is out on Amazon.com, Amazon.uk and Kindle worldwide now. Jane is still very much a Newbie and with a day job, a family and a very demanding black Labrador, she squeezes her writing into every spare moment she gets. You can catch up with her at www.janeisaac.co.uk

By now, many of you will know that my book was released early, just two weeks ago. When I got the email to say it was published, I was thrilled (after recovering from spluttering my tea into my lap in surprise) and did a little dance of excitement around the lounge. This is finally it, what I’ve been working towards, 18 months of my life’s work.

An hour or so later, I noticed a warm hue as a rash started to creep up my neck. I had let my baby go, cast her into the world. But what if nobody likes her? Eeek!

I read about other writers. It appears that even well known writers like Elly Griffiths, just released her fourth crime thriller, and Peter James bestseller author of over 25 books feels that bout of anxiety when their book first enters the world. A couple of reviews later and some feedback on Face book, and I relaxed into the journey.

Last weekend I got the most wonderful parcel through the post: my personal copies of An Unfamiliar Murder. Holding my book in my hand for the first time felt like one of those times when your life is put on hold to allow you to step back and savour the moment – a memory to keep close forever; like getting married, having a child, passing a special exam.

Most of us Newbies worry about what others will think and sometimes this forms a barrier to sharing our work. But what we don’t realise is that many artists feel this way, initially. And we live in a subjective world. How often have you been to a movie, read a book, watched a show that you considered great – only to have a friend or colleague say that they didn’t like it, it wasn’t their thing?

I firmly believe that if you write about what you know, something you are interested in, something you would like to read yourself, then there will always be someone out there who will engage and enjoy. And if you never share, you’ll never experience that adrenalin rush of clutching your book for the first time. I’m sure other authors out there will agree with me – it’s worth its weight in gold.

Twitter:                @JaneIsaacAuthor

Face Book:          Jane Isaac Author

Website:           www.janeisaac.co.uk 

Jane Isaac’s first novel, An Unfamiliar Murder, is out on Amazon.com, Amazon.uk and Kindle worldwide now. Jane is still very much a Newbie and with a day job, a family and a very demanding black Labrador, she squeezes her writing into every spare moment she gets.

Episode 17

Newbie Writers Podcast

January 21  (Catharine is eating locusts from street vendors)

Guest Jane Isaac and Lyle Perez.

The Ultimate Newbie Experience.

Jane is the living proof of a newbie becoming a published author.

What was the process involved? What sparked the story idea?

Dionne Lister asks: What has been the best part of the process for her? What was her reaction when she found out Rainstorm Press wanted to publish her works?

We pick Lyle’s brain on the initial reaction to reading Jane’s draft, what was it that made him want to publish it? What tips for new writers can be drawn from this?

We find out how Rainstorm Press is going and any new authors to look out for.

Jane’s been apart of Newbie Writers since 2007, certainly longer than I have. We ask what her thoughts on how Newbie Writers has changed, how it’s progressed.

Prompt:

“Nothing happens unless first a dream” – Carl Sandburg
spend twenty minutes on your dream. What do you really want to write? Not what sells, not what you think is “you” not what you think is trendy, just what you want to write, what you want to spend a year messing around with.
Really, twenty minutes – go!

Bring out your dead:

Contributed by Anne Naylor of www.becauseofbipolar.com.au
Too late she discovered she had married a psychopath.
It was the day after their wedding and they were in the presidential suite of a luxury hotel. They were finally on their honeymoon, about to start life as husband and wife.
He sat on the edge of the bed and pulled her towards him. Magic was about to happen. They slid under the covers. He kissed her gently, then pulled the blankets over her head. She was confused. Why was he holding the blanket so tightly. He knew she was claustrophobic. She struggled against him, but he was too strong. He wouldn’t release her.
A foul stench filled the air. Surely not. He couldn’t have. He wouldn’t have. But undeniably, he had. The assault on her senses was silent, but deadly. Finally, after an eternity, he pulled back the blankets and she gasped as she gulped unpolluted air.
She was furious. Shocked and horrified. She berated herself for marrying a psychopath. Well, if not a psychopath, then a fifteen year old boy masquerading as a twenty-five year old man. He laughed, clearly very pleased with himself. ‘Welcome to marriage!’ he said. ‘What do you mean?’ she replied. She stared at him, bewildered. ‘It’s a Dutch oven’, he explained. A marriage ritual. It’s good luck.’
She thought it was surely a bad omen.
‘You’ll pay for this one day’, she said.
(And twenty years later, she did.)

Word of the week

www.worldwidewords.org

FUSTILUGS

In those moments when only insults will do, how good it is to turn to the inventive but unsung genius of everyday folk, whose local dialect is so often full of expressive abuse. This word, meaning a grossly fat or slovenly woman, is an excellent example.

It still has some small currency, mostly in Yorkshire I believe, though at one time it was widely known across a swathe of England ranging from Cumbria to Devon. That it will almost certainly be unknown to the object of your obloquy will add relish to your utterance, though it might not be too hard to work out it isn’t complimentary. It has rarely been written down outside dialect glossaries, but it did appear in 1621 in a long passage full of terms of opprobrium in The Anatomy of Melancholy by Robert Burton: “Every lover admires his mistress, though she be … a vast virago, or an ugly tit, a slug, a fat fustilugs”.

Shout Outs/ Sponsors:

Jane shouts out to the entire Twitter gang!

Damien says hi to Dianne Solberg and her Mum!

Rainstorm Press deal: newbie40 is the coupon. Gets you 40% off ANY purchase you make at www.rainstormpress.com

Where to find us:
Damien: www.newbiewriters.com
Jane Isaac: http://www.janeisaac.co.uk/
Lyle Perez: www.rainstormpress.com

Subscribe to us via email!

“…writing so good, I didn’t notice it.” When I first read this line in a book review, some years back, my initial thoughts were – the poor author.

As writers, we agonise over words to convey just the right message, layer our descriptions to build a certain atmosphere, craft phrases to achieve the correct imagery in readers’ minds.

There are those inspired sentences: ones that come to you into the night, those that spring into your mind in the supermarket queue. Lines that need to be scribbled down on the back of old receipts, scraps of paper, backs of hands; caught quickly before they slip away into the deep, dark abyss within our heads.

When my writing tutor cast her red pen across these precious lines, I wanted to wrap my arms around them, my babies to protect. As she whipped them out, I wanted to run to the waste paper basket, uncurl the crumpled pieces, and insert them back into my work.

Instead, I thought about books I have read. It’s no secret that I have a penchant for crime thrillers. I’m a sucker for a good page turner. It got me thinking – how many times do you see ‘spare’ words and phrases in a thriller? The simple answer is never. Why? Because they distract the reader and detract from the story. In point, they can be the difference between a reader loving or hating your book.

As those inspired lines were prised from me, I realised that in the early days I was being self indulgent. I used some prose because I really liked it, not because it either added to, or drove, the story forward. And that is what it is all about – the story. We are here to spin a good yarn.

So, I aspire towards “writing so good, I didn’t notice it.” If I achieve this, I’ll know I’ve done my job.

Add Note: You can read an excerpt from An Unfamiliar Murder on my new website at www.janeisaac.co.uk  It would be great to see some of you there!

Jane Isaac’s first novel, An Unfamiliar Murder, will be released by Rainstorm Press in February 2012. Jane is still very much a Newbie and with a day job, a family and a very demanding black Labrador, she squeezes her writing into every spare moment she gets. Join her on the rocky road from pen to publication!

I experienced a dose of déjà vu this week. Standing beneath the shower, lathering conditioner into my hair, I felt the warmth slowly disappear out of the water. It folded back the years to my childhood, when my brother would sneak into the bathroom and run the taps, forcing the same effect for kicks.

I squealed, jumped away, and furiously searched around the curtain for the culprit. But there was no one there. (Not surprising since my husband and daughter were out and I haven’t lived with my brother in years.) I fiddled with the buttons, turned the shower off, and back on. The water still ran cold. The element appeared to have broken. So, with no time to run a bath, I resorted to using a jug of water to rinse my hair in the sink.

It was with relief that I answered the door, the following morning, to a short man with a wide smile, my new shower tucked underneath his arm. I smiled back and, as he introduced himself, I couldn’t help but notice the twitch: his upper body jolted, causing his shoulders and head to flick sideways. Not wishing to stare, I averted my eyes, led him into the house. As we chatted briefly in the kitchen, he appeared calm and was very interesting, relaying anecdotes from a recent trip to New Zealand, before retreating to the bathroom to start work.

Later, I walked into the bathroom to deliver a coffee. Clumsily, I stumbled as I reached the door. It swung open and hit the bath noisily. As he shot round to face me, his forehead creased into a surprised frown, and his body jerked again. The combination of the strange expression and twitch made me physically start. His expression softened into a smile. Embarrassed, I apologised, planted his coffee on the window ledge and retreated. But as I walked into the kitchen a thought struck me – what an interesting layer those actions would add to a character.

I once read that fictional characters are partly made up of elements of people that we meet in everyday life. I guess there is some truth in this. As writers we are constantly observing the world around us – the man in the cafe with the six o’clock shadow, the perfectly manicured mum at the school gates, the child with the tuft of hair that sticks up around his crown. Whilst I hope my plumber isn’t reading this piece, I wanted to share this experience with you. We spend ages researching and building our characters, adding layers to their architecture. But sometimes they creep up on you when you least expect them.

I wish you all a very Merry Christmas and a Happy and Healthy New Year. And, Auntie Olive, when you come over for Christmas tea, just remember – I’ll be watching you!

Jane Isaac’s first novel, An Unfamiliar Murder, will be released by Rainstorm Press in February 2012. Jane is still very much a Newbie and with a day job, a family and a very demanding black Labrador, she squeezes her writing into every spare moment she gets. Join her on the rocky road from pen to publication!

Hey everyone,

Do yourself a favour and check out this interview with Jane Isaac!

Peter Hobbs interview with Jane Isaac!

Damien